Tuesday, December 22, 2009

VIETNAMESE(ANNAMESE)CERAMICS

Vietnamese ceramics were largely made in kilns in northern Vietnam around Hanoi in places like Lang-son and Thanh-hoa. They were largely Chinese influenced since in the earlier centuries Vietnam was a vassal state which the Chinese called Annam, meaning pacified south. In the 14th century, Vietnamese ware decorated in underglazed iron-brown began to enter the barter trade of Southeast Asia. These were mainly dish, sauces, bowls and covered boxes with basically standard decoration of a chrysanthemum spray in the centre medallion and a debased classic scroll on the rim. Later they produced underglaze blue, but were generally  of a paler blue compared to the Chinese blue-white. Other rarer export ware are brown glazed, apple-green, and tricolor ware shown below.
In the 15-16th century, the Vietnamese also produced beautiful honey-brown glazed jars with ring handles and also large dishes of underglaze blue with floral and fish paintings (see top 2 photos below). These are rare and therefore prized by collectors.
Note: the large "fish" dish shown below purchased during my early acquisitions unfortunately turned out to be a very good copy. I have called it Fredo's Folly, a reminder not to be over anxious when buying a rare piece because it was at a bargain price. My advice is to consult a couple of experts before making an expensive purchase.

OLYMPUS DIGITAL CAMERA         v22 jar storage brown 4ring handles 33x31cm 14-15c.
(similar piece at the Adam Malik Collection in Jakarta)
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v14 dish fish large blue/white 37x7.3cm very fine copy of 16c piece
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v19 beaker cylindrical applegreen 12.2x9.5cm 15c (hairline crack)
OLYMPUS DIGITAL CAMERA         v02 box covered bw 6.5x8.5cm 15c
OLYMPUS DIGITAL CAMERA         v16 bowl conical bw 15.5x7cm 15-16c
OLYMPUS DIGITAL CAMERA         v03 box covered oct bw 4.4x6cm 15c
OLYMPUS DIGITAL CAMERA         v18 bowl conical yellow w bisquit ring 16.7x7cm 14-15c


OLYMPUS DIGITAL CAMERA         v17 bowl conical olive 17x6.5cm 12-13c
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v05 3 boxes covered tricolor 5.5x7.5 15-16c

OLYMPUS DIGITAL CAMERA         v06 jarlet cylindrical bw 8.3x8.5cm 15c
OLYMPUS DIGITAL CAMERA         v12 dish bw 14x2.5cm 14-15c

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v07 jarlet globular bw 6.8x8cm 15c
OLYMPUS DIGITAL CAMERA         v13 dish gray-wh 14.2x3.4cm 16c
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v11 brushpot globular bw 6.2x8.8cm 15c
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v15 medium dish foliated olivebrown w bisquit
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v01 box covered bw 6.8x8.5cm 15c
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v20 bottlevase pear
green 17.8x9.3cm 15-16c
mouth restored
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v21 bottlevase pear green 15x9.5cn 14-15c
mouth restored




Monday, December 21, 2009

THAI CERAMICS (Sisachanalai and Sukhothai)

The Thais began producing glazed ceramics in the 12-13th centuries. In the next century or two, like the Vietnamese, they became deeply involved in in export trade in SE Asia and competed with the Chinese. Thai ceramics were produced in the north-west (the east being occupied by the Khmers) in places like Sawankhalok (Sisachanalai) which are famous for their underglazed iron, blue or brown covered boxes with floral or cross-hatched patterns; celadon or brown large globular bottles (kelapa) and ovoid bottles with ring handles; and large celadon dishes and bowls with incised floral designs.
Another famous location is Sukhothai which produced bowls with floral or fish painting in underglaze iron or brown (last six photos).
As mentioned earlier in my notes on Chinese ceramics, Thai export ceramics were boosted by a ban of Chinese exports during part of the Ming period with the migration for Chinese potters to the south. While Thai ceramics, like the Khmers, used chinese technology in pottery making, they adapted it with their own unique designs and patterns which make them appealing.  Nonetheless, the quality of their ceramics, in particular their clay and skill, cannot match those of the Chinese. They are usually of stoneware and hardly produce any quality procelain.
 My collection was largely purchased in Indonesia, Thailand and Cambodia.

OLYMPUS DIGITAL CAMERA         t01 coveredbox blue 16x16.5cm sisa 14-15c
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t02 coveredbox blue-brn 14.5x15.5cm sisa 14-15c
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t05 coveredbox blue-brn 11.5x13.5cm sisa 14c
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t03 coveredbox blue-brn 12.5x12.8cm sisa 15c
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t06 coveredbox brown 10.5x10.5cm sisa 14c
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t04 coveredbox blue-brn 12.5x13cm sisa 14c
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t07 coveredbox squat blue-brn 9.5x12cm sisa 14c
OLYMPUS DIGITAL CAMERA         t08 bottle globular 2ring celadon 16.7x16cm sisa 14.15c
OLYMPUS DIGITAL CAMERA         t09 bottle globular 2ring celadon 15.5x17cm sisa 14-15c
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t10 bottle globular 2ring brown 17.5x17.5cm sisa 14c
OLYMPUS DIGITAL CAMERA         t12 bottle pear 2ring celadon 19x14.5cm sisa 14-15c
OLYMPUS DIGITAL CAMERA         t13 bottle pear 2ring brown 15x10cm sisa 15c
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t25 dish celadon 28x8cm sisa 14-15c
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t26 dish foliated celadon 30x8.2cm sisa 14-15c
OLYMPUS DIGITAL CAMERA         t27 dish foliated celadon 29x9cm sisa 14-15c
OLYMPUS DIGITAL CAMERA         t30 dish foliated 30 dish celadon 21.8x7.4 samk 1516
OLYMPUS DIGITAL CAMERA         t31 bowl flanged celadon 16.7x8cm 14-15c
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t32 bowl lotuspod celadon 17.7x9.9cm sisa 14-15c
OLYMPUS DIGITAL CAMERA         t33 lotuspod celadon 20.5x10cm sisa 15c
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t38 bowl lotuspod celadon sisa 14-15c
OLYMPUS DIGITAL CAMERA         t39 bowl floral iron underglaze 14.2x6.5cm sukho 14-15c
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t40 bowl fish-floral brown underglaze 16x6.5cm sisa 15c
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t41 bowl fish iron underglaze 22x7.5cm sukho 14-15c
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t42 bowl fish iron underglaze 16.5x8cm sukho 14-15c
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t43 bowl cakra iron underglaze yell 18x8cm sukho 14-15c
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t44 bowl everted plain plgrn glaze 20.7x8cm sukho 14-15c

KHMER (ANGKORIAN) CERAMICS

The Khmer civilization of Angkor reached its zenith from the 9 to 14 century. It covered present Camdodia, eastern Thailand and the Mekong basin in southern Vietnam. Its culture was very Indian influenced as seen in the great monuments of Angkor Wat, Bayon and other Angkor temples. These and their statues were made of sandstone for royalty and powerful and are today perserved as national heritage.

The commoners use clay for their statuettes and daily utensils. They use low-fired clay to turn them into terracotta pieces. However, Chinese commercial influence led to glazed ceramics being sought after, technical skills copied and adapted pottery-making in their own style and incised decorations.  Though not as fine as Chinese ceramics, the most wonderful development of the Khmers was their unique zoomorphic vessels ie animal adornment (bird, elephant, rabbit) on their pots and jars. The glaze are in ash green and the more common brown. Two-glazed ware are rare and prized.

Below are some of them from my collection. Happy viewing.

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k04 limepot gobular zoomorphic owl green 11x13cm 11c

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k05 limepot globular zoomorphic
elephant brown 13x16cm 12c
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k03 bottle ovoid bicolor 14x10cm 11c rare
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k02 bottle ovoid brown 17x13cm 11-12c
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k07 kendi covered
brown 23x17cm 12c
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k08 large pot globular bicolor 19x21cm 11c rare
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k01 box covered cylindrical green 11c
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k09 honeypot lenticular brown 9x15cm 12c
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k11 bowl lotuspod c disc
stand brown 8x16 12-13c rare
OLYMPUS DIGITAL CAMERA         k12 bowl conical green 9.2x17.5cm 10-11c rare

OLYMPUS DIGITAL CAMERA         k06 kendi zoomorphic lenticular brown c bird handle 14x20cm 12c

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jar baluster brown
35x22cm 12c k12
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k13 Vishnu standing
terracotta 25x8cm
preAngkor bf 9th c
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k14 Diety standing
female terracotta 25.5x7.7cm preAngkor
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k15 shiva standing
terracotta 20.5x6cm
preangkor
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k16 apsara standing
terracotta 18.5x10cm
preangkor
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k17 shiva sitting terracotta 17.5x9.7cm preAngkor
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k18 buddha standing
terracotta 37x11 preAngkor
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k20 head of diety sandstone
k23 jar large angkorian brown 12c
k23 jar large angkorian
brown 12c
3Ankorean Jar 10A
Large Angkorean Jar12-13c
P6240601
Rare Angkorian Jar
w ringhandles n incised decorations
P6250604
Large Jar with ringhandles
prob Thai 15c found in Cambodia.
P6240603
Large Angkorean Jar12-13c